CINEMA FLACARA HUNEDOARA

Les Antiutopies, Edited by Corin Braga: Professional and even private life was subject to various boundaries from the freedom of speech to the controlled distribution of workplaces, houses, food, everyday items and so on. The studies are grouped around four main sections, according to the principle of shared conceptions and similarity of perspectives as well as that of shared scientific background and tools. This trauma was also experienced by the Romanian culture in the late s and s — case particularly analysed in the study — being forced to follow this new function of legitimising a regime that was consolidating its fragile bases. Jun 12, Conference Start Date: The study focuses precisely on the mechanism of his gradual compromise and his negotiation of ideological boundaries from the posture of a privileged, powerful agent of the regime. The second section deals with the ambivalent relation of the modern artist to the drug, which is due to the perception of opiates as both a way of access to Paradise, and as a diabolic attraction. However, these elements target the familiarity of the audiences and therefore legitimise themselves based on their belonging to a collective cultural memory.

Recent studies have been increasingly interested in the connections between popular culture — cinema in particular — and religion, and most particularly in how traditional mythologies and religious frameworks and practices are recycled and reinterpreted within modern media. Cand a inceput realismul socialist in literatura romana? Myths, as essential narrative structures and patterns, are massively recycled in contemporary media, from advertising to cinema. Building Socialism, Constructing People more. After centuries of almost universally acknowledged respect, the humanities are now widely perceived to be in crisis. Published in Communism — Negotiation of Boundaries.

The studies in the section titled Contemporary Written and Visual Media: Despre un “colonialism” sovietic, Vatra, Nr.

Andrada Fatu-Tutoveanu | Babes-Bolyai University –

Of particular interest to this volume is the use of the press as an essential instrument for Romanian propaganda in terms of spreading, as well as controlling, the new set of politically-established identity patterns. The Recent Past of a Minor Culture more. The Visual Paradigm Shift. Confessions Read in Postcommunist Key. However, despite the diversity of media channels and complex and also increasingly interactive platforms, the storytelling patterns and core messages have remained — paradoxically — roughly unchanged.

Hunedoara: Stand-up comedy cu Ana-Maria Calița, Bucălae & Cortea

Jun 12, Conference Start Date: After centuries of almost universally acknowledged respect, the humanities are now widely perceived to be in crisis. Likewise, the geopolitical order has also changed: Spaces and Contexts, Conference End Date: While this new sensibility is beginning to draw academic attention in the field of the plastic arts, research is badly needed in other areas.

Films like The Front describe one of the most dramatic and disturbing effects of what started as a conspiracy myth or theory, moving from a psychological or emotional issue to its coercive materialisation. Finally, the approach is based on perspectives and concepts related to popular culture which reveal that adapted and reinterpreted, prove to be extremely useful tools in approaching phenomena related to the former Eastern bloc and that the specificity of these manifestations offer interesting comparisons and open new debates.

  COMEDY CIRCUS SUMONA BIOGRAPHY

The paper applies this theoretical perspective to late searly s Romanian culture in relation with the appropriation of culture by the communist regime within the late s political and ideological shift in Eastern Europe. The studies in the second section, Contemporary Media Narratives and Classic Mythologies, discuss a series of reinterpretations in contemporary media or new media of traditional myth patterns such as resurrection and regeneration, motherhood, other articles focusing on the recycling of powerful symbols such as the water or the labyrinth.

And this may be seen as a twofold crisis, coming from both within the humanities themselves—no longer, if they ever were, exclusively centred on ” the study of the human ” hence what in some quarters is referred to as ” posthumanism ” —and from the world outside—no longer universally acknowledging the value of humanistic thought. The late s and s represent probably the most significant period for the Romanian culture in terms of crisis of identity and cultural shift due to the process of Sovietisation alternatively read as cultural colonisation, see The book follows the evolution, deconstruction and reconstruction of identity at both the micro- and macro- levels, focusing on some of the most significant identity pattern constructs in terms of reconfiguring cultural identities.

Identity Patterns and Stereotypes within Romanian Press more. Desi literatura si critica literara de la noi nu au fost niciodata straine de experimentele narco-literare asupra carora se focalizeaza cercetarea Andradei Fatu-Tutoveanu, totusi tratarea subiectului a ramas pana acum la nivelul contributiilor punctuale si ocazionale.

Recent studies have been increasingly interested in the connections between popular culture — cinema in particular — and religion, and most particularly in how traditional mythologies and religious frameworks and practices are recycled We welcome contributions from specialists in some Western countries France, Switzerland the volume opening up — we hope — a prolific dialogue between the two geographical areas and their different historical experiences and ways of envisioning communism.

This will be done in the unique environment of the Balearic Islands: Cambridge Scholars Publishing, Publication Name: The demise of Communism remains an important research topic for Human and Social Sciences. The current paper deals with some of the characteristics of the Romanian book market at the beginning of the s — such as the obsession of freedom of printing all types of works that had been forbiddenthe obsession of integrality The volume intends to suggest – through its collection of general, comparative or analytic chapters, as well as through a new approach on two political and cultural phenomena otherwise studied as opposing paradigms — the need for a larger debate on the potential of the approach to these phenomena in a common framework.

Revisiting Myths in Contemporary Media more. This seems to be a timely occasion, as there is strong evidence that a new paradigm is beginning to visibly alter the principles regulating cultural sensibilities.

Last but not least, the paper deals with the dominance of some elements of discourse, as their impact had to have a double dimension, both of Communist propaganda and anti – U. Discussing Communist boundaries after twenty years since its collapse makes the year a pivotal topic for the kind of analyses conducted here, especially as the moment represents itself a limit.

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During the 19th century, in the absence of a legal interdiction and of scientific research on its effects, drug use acquired a multileveled mental representation of its positive and negative aspects.

The Romanian culture was subject of an identity crisis in the late s-early s due to the process of sovietisation. Nu putem flxcara nu mentionam noutatea indiscutabila a demersului.

While I dealt elsewhere with the shape taken by the anxieties in anti-American propaganda, this paper analyses its counterpart. As the influential Jessica Evans and Stuart Hall argue, when discussing visual culture: Building Socialism, Constructing People more.

Click here to sign up. The study focuses precisely on the mechanism of his gradual compromise and his negotiation of ideological boundaries from the posture of a privileged, powerful agent of the regime. Thus, it aims to provide the reader with a relevant image of the writing of these female intellectuals and the paradox Romanian women As the volume aimed to discuss a diverse range of media, the studies focused both on visual aspects with an emphasis on cinema, but conema television or advertising and on written hunedoaara.

Revisiting Myths in Contemporary Media. This growing significance of both media and the process of myth recycling stems from the post-war Western cultural and technological evolution. Cineam with propaganda, another significant aspect of a totalitarian regime is by definition, repression. The paper f,acara this theoretical perspective A few major myth patterns represent the core of contemporary media storytelling, whether we speak of fiction cinema or reality based media messages written or visual presspolitical representations image campaigns or advertising.

Oct 30, Conference Start Date: The paper applies this theoretical perspective to Revista Astra, Anul II, nr. Culture is forced to abandon any aesthetic interests, losing independence and becoming tributary to a role and a cause. Cand a inceput realismul socialist in literatura romana?

The article concludes that, although minutely organised and controlled, in the absence of alternative discourses, this American anti-utopian projection failed to convince, not being able to fight the positive imagery associated in Eastern Europe with theU. The 11th International Postgraduate Conference cineema Crisis: Corina Boldeanu focuses on irony as a subtle form of evasion, and as a form of poetic language used to circumvent and fight censorship.

Thus, the first section, Life and Culture under Siege, figures mainly studies focusing on the historical and social aspects of the restrictive policies of the communist regime.